在经济全球化与文化交融的背景下,电影片名的翻译因为电影文化交流的重要性而凸显出来。我国当前关于片名的翻译论述多沿用韦努蒂之归化异化理论,重视翻译策略和原则,而忽略翻译的文化性。有鉴于此,本文立足于翻译策略、翻译的文化性以及翻译理论,以民族文化为视角对当下的片名翻译予以梳理。一、片名翻译研究之争(一)主异化与主归化 In the context of economic globalization and cultural integration, the translation of movie titles is highlighted by the importance of cultural exchange of films. At present, most of the translations on the titles of titles in our country use the theory of naturalization and alienation of Venuti, attaching importance to the strategies and principles of translation, ignoring the cultural nature of translation. In view of this, based on the strategies of translation, the cultural nature of translation and the theory of translation, this essay sorts out the current translation of titles by national culture. First, the title dispute translation studies (a) the main alienation and the main naturalization