论文部分内容阅读
在古代人的生活中,铜镜是必需品。铜镜背面的纹样代表着日用品与艺术品这两者的有机结合。在汉代,铁器、漆器以及陶瓷器等慢慢取代了青铜日用品,在这个背景下,铜镜逐渐发展起来。汉代的铜镜具有以下的特点:种类多、做工精细、精美的纹样。不管是从制作形式上来讲还是从艺术表现手法上来讲,汉代铜镜都与众不同。汉代铜镜的纹饰往往是以青龙、白虎、朱雀、玄武为主,这些纹饰具有明显的时代性。一、独具特色的纹饰布局
In the ancient life, bronze mirror is a necessity. The pattern on the back of the bronze mirror represents the organic combination of both daily necessities and artwork. In the Han Dynasty, iron bronze ware, lacquer ware, and ceramic ware gradually replaced bronze daily necessities. In this context, bronze mirrors gradually developed. Han bronze mirror has the following characteristics: variety, fine workmanship, exquisite patterns. The bronze mirror of the Han Dynasty is distinctive whether it is from the production form or the artistic expression method. Han bronze mirror decoration is often based on the dragon, white tiger, Suzaku, basaltic-based, these ornamentation has obvious characteristics of the times. First, unique decorative layout