宋玉麟是江苏山水画坛一位深受人们关注又富有潜质的画家。借用“古墨轻磨满几香,砚池新浴灿生光”,“不负传家京兆笔,春山画得雨初晴”这几句诗句来凸现他稳沉自若、从容笔耕的神态是很妥贴的。多年来宋玉麟就是用一杆毛笔、一砚墨水来倾诉对自然山川铭肌镂骨的钟爱与修炼独自的艺术形象。他把开掘山水画“意境”作为最高艺术追求,力图通过那一幅幅具有深邃“意境”与“浓浓人情味”的画卷来讴歌自然美和对人生的赞美。中国山水画家高扬绘画主体精神与西洋风景画重视忠实描绘自然景观的艺术观念、审美追求有着明显的区别。故画家的思想素质、精神境界成为熔铸山水画艺术美的关键。对中国山水画本质有深切理解的宋玉麟是一位有思想又善于独立思考的画家。80年代中期当美术界“新潮”高涨之时,他有胆有识地提出:“不要背上‘创新’的包袱”的观点并指出:“传 Song Yulin is a landscape painter in Jiangsu, a well-known and promising artist. Borrowing “a few ancient incense light grinding a few incense, Yanchi new bath Chan Sanguang”, “do not be negative Jing Kezhao pen, Spring Hill painting rain early Qing” these verses to highlight his calm, calm and demeanor demeanor is It is well-placed. For many years Song Yulin was using a brush, a ink ink to talk about the natural mountains and the inscriptions and the solemn artistic practice. He pursues the landscape painting “Artistic Conception” as the supreme artistic pursuit, striving to sang the natural beauty and praise of life through those paintings with profound “artistic conception” and “deep human touch”. The main theme of the Chinese landscape painter, Gao Yang, and the Western landscape emphasizes the distinction between artistic concepts and aesthetic pursuit that faithfully depict the natural landscape. Therefore, the artist’s ideological quality and spiritual realm become the key to melting the artistic beauty of landscape painting. Song Yulin, who has a profound understanding of the nature of Chinese landscape painting, is an artist who is both thinking and good at thinking independently. In the mid-1980s, when the “trendy” art scene was on the rise, he boldly put forward the notion of “not burdening the burden of innovation” and pointed out: "Biography