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《小城畸人》(又译《俄亥俄,温斯堡》)是美国现代文学先驱者舍伍德·安德森的代表作,安德森一生中的作品数量有限,但是仅凭《小城畸人》这本书就声名鹊起,被海明威、福克纳、菲茨杰拉德等在美国文学史上有着举足轻重的人奉为文学导师,福克纳更称其为:我们这一代的美国作家之父,开创了即使我们后人也必将承袭的美国式的写作传统。原因便在于,安德森以那个时代不曾出现的文学手法,描绘出了美国在工业文明时代的社会特征。安德森深入人的灵魂,将人的心灵世界展现在世人面前,表现人的异化和畸形,开创了现代主义在美国文学史上的新纪元。在这部作品中,安德森使用了诸多文学手法,本文将分析安德森在这部作品中所建构的孤独意象,分析这种孤独感出现的原因及形式。
Anderson is the forerunner of Sherwood Anderson, a pioneer of modern American literature. Andersen’s limited number of works in his life, however, only relied on the book “The Story of a Small Town” By Hemingway, Faulkner, Fitzgerald and others who have played a decisive role in the history of American literature as literary tutors, Faulkner calls his father of American writers of our generation even the most Will inherit the American-style writing tradition. The reason for this is that Anderson portrayed the social characteristics of the United States during the era of industrial civilization in the literary manner that never existed in that era. Anderson deeply penetrates into the human soul, exposes the world of mankind to the world, manifests human alienation and deformity, and opens up a new era of modernism in the history of American literature. In this work, Anderson uses many literary techniques. This article analyzes Anderson’s lonely image constructed in this work and analyzes the reasons and forms of such loneliness.