近半年以来,全国戏曲界轰轰烈烈地编演现代戏,使戏曲舞台来了个大革命,过去在戏曲舞台上没有位置的工农兵,现在登上了舞台,成了戏里的主角。最近看到京剧观摩演出中的几出戏,我禁不住为现代戏欢呼鼓掌。这种戏,长了人民的志气,灭了敌人威风,是真正的革命戏。像《奇袭白虎团》《箭杆河边》《革命自有后来人》,看了给人鼓舞和力量。拿《革命自有后来人》来说,戏里塑造的铁路工人李玉和一家三代革命者的英雄形象,很感动人,给人很大教育。监狱那场给人印象最深。李玉和戴着手铐脚镣,临刑前还念念不忘党的事业,根本没把死搁在心上,表现了共产党员的骨气!有斗争经验的李奶奶和聪明勇敢的李铁梅,对敌人的刻骨仇恨,不怕严刑拷打,表现了她们对革命的赤胆忠心。看了这个戏,懂得了革命成功来之不易,我们一定发扬革命传统,把革命进行到底。《箭杆 Since the past half a year, the national drama world has vigorously drafted modern drama, making the drama stage a great revolution. The workers, peasants and soldiers who had no place in the drama stage in the past have now boarded the stage and become the protagonists in the play. I recently saw a few performances in Peking Opera performances, I can not help cheering for the modern drama. This kind of drama, longing for the ambition of the people and annihilating the enemy prestige, is a real revolutionary play. Like “surprise white tiger regiments” “arrow River” “revolutionary own later”, looked to give people inspiration and strength. Take the “Revolutionary Later People”, the heroic image of railway workers Li Yu and a generation of three revolutionaries in the play is very touching and gives great education. The prison was the most impressive. Li Yuhe and handcuffed shackles also remembered the cause of the party before the death of a prisoner. They never stopped thinking about their own cause and showed the backbone of the party members. Li Grandma and wise and brave Li Tiemei, with experience in fighting the struggle, are not afraid of being tortured , Showing their sincere and faithfulness to the revolution. Having read this play, I understand that the revolutionary success has not come by easily. We must carry forward the revolutionary tradition and carry the revolution through to the end. "shaft