2012年的音乐舞台剧《木兰》是中日两国艺术家们的一次成功合作。作品从中国汉朝“忠孝两全”的奇女子花木兰说起,在中日文化智慧碰撞中,艺术家们通过对不同舞蹈种类的“斟酌”使用、精心设计“反串”、非传统的舞美等艺术手法,道出了一个与众不同的“花木兰”。笔者有幸参加了此次的编排和演出,在整个过程中,对于中日文化中关于创作的一些思维差异,也有了较深入的了解和思考。■■从那个“故事”开始的故事花木兰的人物形象不仅仅在中国, The 2012 musical stage Mulan is a successful collaboration between artists from China and Japan. The works from the Han Dynasty in China, “Zhong Zhong Liang Duo Qi,” the singular woman Mulan Speaking, in the collision of Chinese and Japanese cultural wisdom, the artists through the different types of dance “use”, well-designed “anti-string” , Non-traditional dance and other artistic techniques, come to a distinctive “Mulan ”. I was fortunate enough to participate in the arrangement and performance, in the whole process, for Chinese and Japanese culture on the creation of some of the thinking differences, but also have a deeper understanding and reflection. ■ ■ story from that “Story ” Hua Mulan’s character image is not only in China,