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广东汉剧是客家地区较为著名的一种戏剧,目前已经被列为国家非物质文化遗产保护项目。广东汉剧主要是由“外江戏”引入广东之后,随着时代的变革逐渐演化成为现在的汉剧。广东汉剧在发展过程中形成了丰富多样的唱腔,主要以西皮和二黄为主,同时还兼具大板、昆曲、小调以及佛曲等唱腔。[1]目前关于广东汉剧唱腔方面的研究非常少,本文主要解析广东汉剧二黄唱腔板式结构,希望能够对广东汉剧的学习研究者有所帮助,为广东汉剧的发展和传承尽微薄之力。
Guangdong Han Opera is a well-known drama in the Hakka area and has now been listed as a national intangible cultural heritage protection project. After the introduction of Guangdong opera, “Guangdong Opera” was gradually transformed into the present Chinese drama with the change of the times. In the course of its development, Guangdong Han Opera formed a rich and varied singing aria, mainly composed of Xipi and Erhuang, and at the same time it also featured a singing track such as slab, Kunqu, Minor and Buddhism. [1] At present, there are few studies about the singing of Cantonese Han opera. This paper mainly analyzes the plate structure of Cantonese and Han dynasties, and hopes to help the study and study of Cantonese dramas in Guangdong so as to make a modest contribution to the development and inheritance of Cantonese dramas.