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公开音乐会是音乐会建制的前身,它于十七世纪形成,这种形成主要源自于中产阶级的兴起,许多音乐家施展了自己的天分与才华。在公开音乐会之前,音乐的存在价值,仅仅为宗教所用。因此,它并没有成为一个独立体被人们所接纳,更多时候,都是以宗教附属品的形式出现的,音乐被运用在礼拜仪式上,然而,人们去教堂参与教会活动的最终目的并不是听音乐因此,音乐在中世纪并不为人们所重视。经过历史的演变,十七世纪产生的公开音乐会主要是由音乐家专门为了音乐欣赏而进行的公开表演。在此之前,音乐主要是作为教会仪式、庆典活动和宴饮娱乐的负数存在。此后,音乐会建制历时四百多年,经历了起源于形成期、定型与发展期,一直发展而形成了现在的格局。因此本文希望通过对法国音乐会建制的研究,来探讨音乐会建制的意义。
The public concert is the predecessor of the concerts. It formed in the 17th century. The formation mainly came from the rise of the middle class. Many musicians displayed their talents and talents. Before the public concert, the value of music is only used for religion. Therefore, it does not become an independent body that is accepted by people. More often than not, religious appendages appear and music is used in service of worship. However, the ultimate goal of people to go to church to participate in church activities is not Listening to music Therefore, music is not valued in the Middle Ages. After a historical evolution, the public concerts that took place in the seventeenth century were primarily public performances by musicians dedicated to musical appreciation. Prior to this, music was mainly used as a negative event for church ceremonies, celebrations and banquets and entertainment. Since then, the concerts have lasted for more than 400 years and have undergone a period of formation, stereotypes and development, and have been developed to form the present pattern. Therefore, this article hopes that through the study of the French concert system, to explore the significance of the concert system.