《展臂迎客》以简单的造型,一笔一划寥寥数笔,勾划了一幅层次分明如张开双臂迎四方宾客的画图。作品以全枝向两侧布势,一收一放自然伸展,以静为主,静中寓动,苍老强劲,主干下部鳞片斑斑,因管理得法,桩根生长强势,树根盘根错节,粗根裸露,拱起于盆面,酷似蟠龙巨爪,紧紧地抓住盆土,干动根稳使根的稳固与枝的夸张相得益彰,表现了泰山劲松的一种精神。作品原生长在一只直径50厘米左右花盆中,主干向左倾斜60度,在主干二分之一处向右弯曲向上,左托枝本有副托之意(托枝35厘米),右枝原为主枝托(飘枝长印厘米),树相平平。但斑斑鳞片的躯干,很有沧桑感,可塑性强烈,实为难觅的好素材。此后通过重新培植养护,细细观察,反复推敲,作者从原桩相中 “Exhibition arm welcoming” to a simple style, a stroke of a few pen, outlined a clear hierarchy, such as open arms welcome Quartet guests drawing. Works to the whole branch to the two sides of the potential, one after another to extend the natural stretch, the main static, moving in the middle, old strong, the lower part of the scales scales, due to the management of law, the strong growth of stub roots, Exposed, arched from the basin, resembles the Beaulieu giant claws, tightly grasp the basin soil, rooted in stability so that the stability of the root and the exaggeration of the branches complement each other, showing a spirit of Taishan Jinsong. Works originally grew in a flowerpot about 50 centimeters in diameter, the main tilt to the left 60 degrees, bent to the right in the main one-half of the upper left branch of the care of the child care (care branch 35 cm), right Branch was originally the main support (floating branches long cm), the tree flat. But the streaky scales of the trunk, a sense of vicissitudes, plasticity, it is hard to find a good material. Since then by re-cultivation and conservation, careful observation, repeated scrutiny, the author from the original pile