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当我飞越重洋,迎着巴黎今年的最后一场春雪,来到这充满艺术魅力的法兰西名城时,职业的习惯使我情不自禁地投身于那绚丽多彩,五光十色的戏剧艺苑之中。在短短的一个来月的时间里,我接触了许多巴黎戏剧界的朋友,观摩了近二十场的戏剧演出。给我最新鲜的一个印象就是,法国艺术家们为了戏剧艺术的生存与发展,所竭力进行的那种不断探索、不断实验的“标新立异”的精神。
When I flew across the oceans for Paris, the last Haruyuki of the year, to come to this fascinating city of the French capital, my professional habits made me inevitably devote myself to the colorful and colorful theater art galleries. In a short period of one month, I met many Paris theater friends and watched the performance of nearly 20 theatrical performances. One of the freshest images to me is the French artist’s “unconventional” spirit of continuous exploration and constant experimentation in the pursuit of the survival and development of theatrical arts.