自“牡丹亭”这一崇明岛上特有的“丝竹锣鼓”形式在上海民族文化展览会上亮相后,沪宁地区电视台都来摄片,各个媒体也竞相报道,然对其源流轨迹及乐队编制诸问题均未详述。近年来,笔者在参加有关学术会议及文艺活动时,常有乐友前来问讯;连台湾《北市国乐》主编,被誉为“国宝级大师”的陆云逵老先生在与笔者的信札往来中也曾经提及。故而今把本人的调查探究心得布之,以供同好参阅。 (一)“牡丹亭”的起源及称谓消代道光、咸丰年间,“瀛洲派”(又名“崇明派”, Since Peony Pavilion, a unique form of “percussion and percussion drums” on the island of Chongming, debuted at the Shanghai Ethnic Culture Exhibition, TV stations in Shanghai and Nanjing all came to take photos and all media also competed for coverage. However, None of the questions are detailed. In recent years, when attending academic conferences and literary activities, the author often came to ask musicians. Even Taiwan’s “North City Guoluo” editor, known as “national treasure master” Mr. Lu Yunlao in correspondence with the author Also mentioned. Therefore, my own inquiry to explore the cloth, for good reference. (A) The Origin and Appellation of “Peony Pavilion” Eliminate the Daoism During the Xianfeng era, “Yingzhou School” (aka “Chongming School”