当代工笔人物画绘画语言的创新呈现出多样化的面貌,在创新的同时也表现出许多流弊。本文试以工笔人物画的基本绘画语言来观照当下,找出产生流弊的根源,并论述在创新过程中继承传统绘画语言的必要性。传统工笔人物画作为中国特有的绘画样式受外界因素的影响较小,基本是按照传统惯性发展的。但近年来,受外来绘画样式影响,以及新生代工笔人物画家作为创作个体的初步成熟,当代工笔人物画在题材选择、材料运用、画面形 Contemporary fine brushwork figure painting language innovation presents a diverse face, in the innovation also shows many abuses. This article tries to find out the root causes of the abuses by drawing the basic drawing language of the figure-based figure painting and expounds the necessity of inheriting the traditional drawing language in the process of innovation. The traditional Chinese painting style as the unique Chinese painting style is less influenced by the external factors and basically develops according to the traditional inertia. However, in recent years, influenced by the external painting style and the initial maturity of the new generation of fine brushwork figure painter,