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宋元之后,青铜器的发展虽失去商周之神韵,但依旧被刻上了时代的烙印,仍深受藏家喜爱。在今天“收藏热”日渐升温的情况下,境外青铜器不断回流,古玩收藏已由一种业余爱好逐渐转变为一项投资理财的庞大产业。而另一方面,受金钱的驱使,盗墓日渐猖獗,铜器造假、贩假明目张胆,古玩市场假货泛滥,使鉴定工作显得更加重要。本文欲以馆藏清代陶澍家祠铜器为着眼点,从形制、纹饰、铭文等方面,总结明清时期铜器的特征,以期为仿古青铜器的辨识提供参考与借鉴。
After the Song and Yuan dynasties, although the development of the bronze ware lost the charm of the Shang and Zhou dynasties, it was still engraved with the imprint of the times and was still deeply loved by the collectors. In today’s “hot collection” circumstances, the constant return of overseas bronze, antiques have been a hobby gradually transformed into a huge investment in wealth management industry. On the other hand, driven by money, the gradual rampant grave robbery, counterfeit and fake bronze wares, the proliferation of counterfeit fake antiques in the antiques market make appraisal work even more important. This article aims to collect the bronzes of Tao Shu’s temple in the Qing Dynasty, and summarizes the characteristics of bronzes in the Ming and Qing Dynasties from aspects of shape, decoration and inscription, with a view to providing references for the recognition of antique bronzes.