人们常常要求创作要讲真话。评论又何尝不要讲真话呢!所谓讲真话,就是要讲心里话。你对这个作品和这场演出怎么看,就怎么说,有好说好,有坏说坏。不要把成绩说成缺点,也不要把缺点说成优点。识人论事,不顾及面子,实事求是,按科学态度办事。在我们的文艺和戏剧评论中,我认为,打棍子的做法固然应该戒绝,因为这种做法粗暴、武断,往往攻其一点不及其余。明明自己也知道不是那么回事,却偏要引证“事实”,随意上纲,所以使人极反感。然而,还应当看到,现在更普遍存在的,是一种“捧场风”。有些评论,根本不从实际出发,不管所论及的东西水平如何,有多少缺点,一味叫好。满篇充斥着溢美之词。而有些作者、导演、演员等艺术工作者,恰恰也只爱听赞扬的话,听不得 People often ask for writing to tell the truth. Comments why not tell the truth! The so-called truth, that is, to tell the truth. How do you say about this work and this performance? Do not put scores as a disadvantage, do not put shortcomings as advantages. Know people theory, regardless of face, seeking truth from facts, according to a scientific approach. In our literary and dramatic commentary, I think it is true that sticking should be abolished because it is rude and arbitrary and tends to attack it less than the rest. Obviously, I also know that it is not the case, but the bias to cite the “facts”, free to Gang, so very disgusting. However, it should also be noted that what is now more prevalent is a kind of “supportive style.” Some commenters simply do not proceed from reality at all, regardless of the level of what they are discussing and how many shortcomings they have, and they are always praising each other. Man full of overflowing beautiful words. Some artists, directors, actors and other artists, just love to listen to praise, can not hear