《假面的告白》以第一人称叙述者“我”的口吻,自白了“我”从幼年到青年时期异于常人的倒错快感,以及这种倒错给“我”所带来的关于自身的种种纠葛。本文从叙述视角出发,力图解析《假面的告白》中的“我”与现实中三岛由纪夫之间的关系,从而进一步解读这部作品。一、《假面告白中》中的“我”《假面的告白》是通过用第一人称“我”来描写“我”从幼年时期到青年时期的性倒错经历,以及和女性园子之间的不伦关系。因为文中的“我”与三 “Confessions of masquerades” in the first-person narrator “I ” tone, confess “I ” from childhood to youth different from the pleasure of ordinary people wrong, and this error to the “I” Brought about all their own disputes. This article tries to analyze the relationship between the “I” in the “Confessions of Masks” and the reality of Yushu Mishima from the perspective of narration, so as to further interpret this work. I. The “I” “Confession” in “Advertisements in Masquerades” describes the sexual inversion experience from “early childhood” to “youthful period” by using first person “I As well as the relationship between women and the garden. Because of the text ”I " and three