郎庄面塑艺术作为鲁西北民间艺术中一朵瑰丽的奇葩,为百姓喜闻乐见,它生于民间,传于民间,是贴近与百姓生活的艺术,也是至今仍活跃于民间的为数不多的非物质文化遗产形式之一,它是一条历史逐渐形成的文化彩链。对于它所造型的动物形象的渊源进行追溯,即可发现它们与古老文化的联系,而且有明显的迹象能够帮助判断这些动物的形象是生殖崇拜文化发展与孑遗的典型例证。郎庄面塑的这种独特的文化基因仍然深藏于民间艺人的潜意识记忆中,并且这种记忆至今依然在郎庄面塑艺人那里代代传承着。 As a magnificent exotic flower in the folk art of northwestern Shandong, Langzhuang Mianzhu is loved by the common people. It was born in the folk and passed on to the folk. It is one of the few non-material One of the forms of cultural heritage, it is a cultural chain of historical formation. Tracing back to the origins of the animal images it shapes can reveal their connection to ancient cultures and there are clear signs that can help determine the image of these animals as typical examples of cultural development and relict of reproductive worship. This unique cultural gene of Langzhuang Mianzhu is still deeply hidden in the subconscious memory of folk artists, and this memory is still passed on from generation to generation in Langzhuang Mulan.