康有为不仅是近代戊戌变法运动的领袖,而且是近代有名的书法家,对近代书坛有着重要的影响。康有为自幼就和祖父临欧体、赵书,特别是《乐毅论》,及长,又学《醴泉铬》,几十年间,遍及“及魏六朝唐宋碑帖数百种”,以后摆脱“帖字”影响而自成一家,被人称之为“康体”。他的字具有“重、拙、大”的特点。所谓“重”即指的是浑原,凝炼,有金石之感;所谓“拙”指的是古朴、率真,有生涩之感;所谓“大”指的是险峻、舒朗,有高远之感。康有为晚年的书法犹受人称赞。有人曾著文说:“每当看他晚年的书法,尤其是册页和长卷,都有一种感觉,如同登上南京灵谷塔似的;眼前的十里深松,涛声浩荡,青山如壁,横插半空,随处都有着六朝遗迹,有一种虎踞龙盘之气。”活龙活现地描述了康有为书法的高运意境。 Kang Youwei is not only the leader of the modern movement of the Reform Movement of 1898, but also a modern famous calligrapher, which has an important influence on modern calligraphy. Kang Youwei and his grandfather as early as the European body, Zhao, especially the “Leyi”, and long, and learn “Liquan Chrom”, for decades, throughout the “Wei and six Dynasties Tang and Song hundreds of rubbings”, then get rid of “Postscript” affect and become one, is called “healthy.” His words are “heavy, clumsy, big” features. The so-called “heavy” refers to the original muddy, condensed, a touch of stone; the so-called “clumsy” refers to the simple, candid, jerky sense of the so-called “big” refers to the steep, Shulang, lofty sense. Kang promising calligraphy of old age is still praised. Someone once said in the article: “Whenever I look at his later years of calligraphy, especially the albums and the scroll, there is a feeling that is similar to the boarding of Nanjing Linggu Tower. The immediate ten miles, pine trees, Horizontal inserted mid-air, there are six relics everywhere, there is a gas Juhu Longpan. ”Living vividly describes Kang Youwei calligraphy of the high-speed mood.