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由中国京剧院、中国剧协,中国戏曲学院等六个单位联合主办的“祝贺翁偶虹戏剧活动60年座谈会”于去年12月18曰在北京举行。首都文艺、戏曲界人士300余人出席,向这位年登耄耋的著名剧作家、戏曲理论家、戏曲活动家、教育家表示热烈地祝贺和深挚的敬意。翁偶虹先生从青年时期即从事戏曲活动,60年来,他“听戏、学戏、编戏、排戏、谈戏(剧评),画戏(脸谱)”,成就炫然,著作等身。三十年代,曾整理改编《许田射鹿》、《平阳公主》、《宏碧缘》、《火烧红莲寺》、《姑嫂英雄》、《九焰山》和编写《瓮头春》、《锁麟囊》,《鸳鸯泪》、《美人鱼》、《小行者力跳十二堑》等剧,四十年代,曾编写《凤双飞》、《水晶帘》、《琥珀珠》、《蝶恋花》、《百鸟朝风》、《杜鹃红》、《女儿心》、《比翼舌》、《玉壶冰》、《钟馗传》、《北观音》、《天国女儿》、《百战兴唐》、《血泪城》、《野猪林》、
The 60-year Symposium on Congratulations to Ou Honghong on Theater Activities, jointly organized by the Chinese Peking Opera, Chinese Theater Association and Chinese Opera Academy, was held on December 18 last year in Beijing. More than 300 people from the capital’s literature and art and opera circles attended the event and extended warm congratulations and deep respect to this famous dramatist, opera theorist, opera activist and educator who has been on board for many years. For the past 60 years, he has been engaged in drama activities since he was a young man. He has “listened to theatrical performances, drama, drama, drama, talk show (drama) and painted drama (Facebook)”. In the 1930s, he compiled “Xu Tian She Lu”, “Princess Ping Yang”, “Hong Bi Yuan”, “Red Lotus Temple”, “Heroes of Aunty”, “Jiuyan Mountain” In the 1940s, he wrote “Fung Shuangfei”, “Crystal Curtain”, “Amber Pearl”, “Butterfly”, “Butterfly”, “Duck Tears,” “Mermaid,” “ Love Flower ”,“ Birds of the Ascendant ”,“ Rhododendron ”,“ Heart of the Daughter ”,“ than the tongue ”,“ Jade Kettle ”,“ Zhong Kui Chuan ”,“ Northern Guanyin ”,“ heaven daughter ” Xing Tang “,” Blood and Tears City “,” Wild boar Lin "