形式缘于内容的需要 对于生长在南方的我,东北给我的印象是黑土地、大平原,所谓“白山黑水”,那只应该是黑白照片,不会有江南秀水丽山的婀娜绚丽、变幻多姿。我一直以为于志学的冰雪山水画当为东北山水画的代表。然而,80年代的一年秋天,有机会到千山山脉、冰峪沟等地游览,顿时为关东山水的壮阔雄伟和灿烂靓丽所倾倒,登高一望,满眼热烈浓艳的色彩,红的、黄的、棕的、紫的……层林尽染,蜿蜒迤逦,如此诱人。这是一种有别于江南山水的浑厚苍劲的阳刚之美,是一种不加修饰坦诚而热烈的美,就像粗扩豪放的关东好汉,一见面就掏心窝,没有一点做作。我一直奇怪,这么有性格、有色彩的山水,画家们为什么老往江南跑,不来画画关东的山水呢?有的画家告诉我:不是不想画,而是不好画;不像画黄山、桂林,画几个山头就知道画的是哪里;关东的山水是一种群体的美,画一两个山头看不出名堂。这话 Forms due to the content needs For the growth of the South I, the impression of Northeast China is black, the Great Plains, the so-called “White Mountain Blackwater”, it should only be black and white photos, there will be Jiangnan Xiushui Lishan gorgeous, more change posture. I always thought that when I was studying on the snow landscape painting, I was the representative of the northeast landscape painting. However, in the autumn of the 1980s, there was a chance to tour the Qianshan Mountains and Bingyugou. At the same time, it was suddenly dumped by the majestic and splendid beauty of the Kanto landscapes. Ascendant looked forward to the warm, intense colors, red and yellow , Brown, purple ... ... Storied make dye, meandering, so attractive. This is a vigorous and vigorous masculine beauty that is different from the landscapes of Jiangnan. It is a kind of frank and warm beauty without modification. It is like a bold and bold Kanto hero, who digs his heart and does not make any mistakes. I have been weird, so character, color landscape, why the painters always run to the south, not to paint the landscape of the Kanto it? Some painters told me: not do not want to draw, but not a good painting; not like painting Huangshan , Guilin, painting a few hills to know where the painting is; Kanto landscape is a group of the United States, painting one or two hills can not be seen. These words