莫罗说:“我只相信我看不到和摸不到的东西。”美国女诗人狄金森也说过:“我见不到的,看得更真切。”他们相信自己内心的幻想。19世纪末在欧洲开始盛行的象征主义与同时并存的印象主义写实风格的原则大相径庭。象征主义画派更强调感觉,反对理性,注重主观,忽视客观;采用象征、寓意的手法以表现梦境、黑夜和病态,甚至歌颂死亡,在艺术上追求风格的荒诞境界。巴黎象征主义运动的发展时期,影响最大的是居斯塔夫·莫洛、皮维斯·德·夏凡纳和奥迪隆·雷东,此外有挪威的蒙克等。可以说,从象征主义画派开始,世界现代艺术便真正地开始了。——编者 Morrow said: “I only believe what I can’t see or touch.” American poetess Dickinson also said: “I can’t see it, see it more.” They believe in their inner illusions. The symbolism that began to prevail in Europe at the end of the 19th century was very different from the principles of the coexistence of the realistic style of impressionism. The symbolist school emphasizes feelings, opposes rationality, focuses on subjectivity, and neglects objectiveness. It adopts symbolic and symbolic means to express dreams, nights, and illnesses. It even eulogizes death and artistically pursues the absurd realm of style. During the development period of the symbolism movement in Paris, the most influential were Gustave Mollo, Pivis de Chavannes, and Odillon Reydon, as well as Norway’s Munch and others. It can be said that starting from the symbolist school, the modern world art really began. --editor