“国粹”京剧,对于我等七十年代或近七十年代出生的年轻人来说是知之甚少,抑或是完全陌生的。曾经风靡一时的京剧现代戏本来就看得少,即使曾看过一些,幼时的那点记忆早已被无情的岁月冲刷得无影无踪了。至于传统古装京剧更是接触了解得少,加上京剧浓郁的民族文化意味与现时代物撑横流的商业社会是如此的格格不入,因此,现在象我般年龄的年轻人大多是不大欢喜“国粹”的。 “Nationalist” Peking Opera is little known or completely unfamiliar to the young people I was born in the seventies or seventies. Peking opera has become all the rage nowadays modern opera has little to see, even if have seen some, when the memory of that childhood has long been ruthless years washed away. As for the traditional costumes of Peking Opera, there is a lack of contact and understanding. With the rich national culture of Peking Opera and the commercial society which is nowadays subject to cross-currents, it is so out of place. Therefore, most young people like me are now mostly unhappy "of.