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1916年的苏黎世,各地难民从被一次大战撕裂的欧洲聚集到这里来寻求一点和平与稳定,面对这场大规模的机械、血腥和荒谬的战争,正如达达主义发起人之一雨果·鲍尔所写,“没有任何艺术可以抵挡杀人的疯狂刀片,只剩下玩笑或者流血的姿态”。是年,“达达”在伏尔泰酒馆宣布诞生,虽昙花一现,但其对传统艺术的批判性解构,以及向艺术和非艺术之间的辨证界面所提出问题,影响了日后的艺术运动。“达达”在1928年和中国擦肩而过,——其创办人之一理查德·许尔森贝克当时作为船医来到中国,他似乎见过蒋介石,
In Zurich in 1916, refugees from all over the world gathered here from Europe that was torn apart by a war to seek a little peace and stability. In the face of this massive, bloody and absurd war, just as Hugo, one of the founders of Dadaism, Powell wrote, “There is no art that can withstand the murderous blade of madness, with only jests or bloody gestures.” This year, “Dada ” was announced at the Voltaire pub. Although it has a short-lived history, its critical deconstruction of traditional art and its problems with the dialectical interface between art and non-art affect the future art movement. “Dada” passed China with China in 1928. - Richard Hilsenbeck, one of its founders, came to China as a ship doctor at that time and seemed to have seen Chiang Kai-shek,