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在19世纪的音乐大师中,没有谁比布拉姆斯更为“毁誉参半”。在过去的100年间,音乐界对布拉姆斯的评价有过很大的分歧,在二次大战之前,音乐学院的学生被告知,布拉姆斯是与巴赫、贝多芬等量齐观的的伟大作曲家。但从50年代开始,布拉姆斯的地位一路下滑,这种情况直到70年代才告结束。布拉姆斯的作品重新成为音乐会的保留曲目,爱乐者也再次燃起对布拉姆斯的热情,听布拉姆斯成了一种时尚。你也许还记得法国人萨冈那篇《你喜欢布拉姆斯吗》的中篇小说,它可以作为这种时尚的佐证。布拉姆斯生逢浪漫主义音乐大行其道的年代,骨子里却是一个彻头彻尾的古典主义者,这使他在音乐圈
Among 19th century music masters, no one is more “mixed” with Brahms. For the past 100 years, the music industry has had a great deal of disagreement over Brahms. Before World War II, students at the conservatories were told that Brahms was a great compilation of the same volume as Bach and Beethoven Family. But since the 1950s, Brahms’s position has been declining all the way, until the 1970s. Brahms’s work back into the concert’s repertoire, Philharmonic also once again ignite the passion for Brahms, Brahms to listen to become a fashion. You may still remember the French Sagan article “you like Brahms?” Novella, it can be used as evidence of this fashion. Brahms was born romantic music popular era, but his heart is a downright classicist, which made him in the music circle