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黄宾虹是传统山水画的集大成者,他的“五笔七墨”是对中国画笔墨最精辟透彻的概括,他“浑厚华滋”的艺术风格正是其精湛笔墨技艺的体现;吴冠中的水墨画表现非传统规范的线条和墨块,而是通过形式化构成把个性化图式推向一个极致。在山水画现代化的过程中,个性化图式的力量正在逐步消蚀传统笔墨,对比分析黄宾虹的山水画和吴冠中的水墨画能为当前的山水画开拓提供借鉴。
Huang Binhong is a master of traditional landscape painting. His “Wubi Qiyu ” is the most brilliant and thorough summary of Chinese painting and calligraphy. His artistic style of “vigorous Hua Zi ” is the embodiment of his superb brushwork skill. Wu Guanzhong’s ink painting Instead of representing the lines and ink blocks of non-traditional norms, the individualized schema is pushed to an extreme by formalizing it. In the process of modernization of landscape painting, the power of individualized schemata is gradually erode the traditional brushwork. The comparative analysis of Huang Binhong’s landscape painting and Wu Guanzhong’s ink painting can provide reference for the current development of landscape painting.