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赛珍珠的《大地》以忧郁、悲观的叙事基调再现中国普通农民家庭的兴衰历程,以无限怀旧的悲伤情绪表现大家庭的矛盾和冲突,对走向分裂的中国传统家庭流露出惋惜之情。鉴于电影的观看方式原著的阅读方式的差异,以及两者在投资方式和对利润期望值上的差异,好莱坞根据《大地》改编的同名影片借崭新的高潮、乌托邦式的结局和理想化的人物形象之力,形成积极、乐观的叙事基调,对改编当时的文化诉求做出回应。
Pearl Buck’s “Earth” reflects the rise and fall of ordinary peasant families in melancholy and pessimistic narratives, shows the conflicts and conflicts among the extended families with infinite nostalgia and sadness, and expresses regret at the split of traditional Chinese families. In view of the difference between the original way of reading the movie and the difference between the two in terms of the investment method and the expectation of profit, Hollywood’s film adaptation of the same title borrowed a brand new climax, utopian ending and idealized figure The power to form a positive and optimistic tone of the narrative, to adapt to the current cultural appeal to respond.