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苏:对广西美术史有所了解的人都知道,沈老师是一位重要画家。我想其中最主要的原因就是您坚持在苗族、侗族、彝族、黑衣壮等民族题材中确立自己的创作主题和风格。通过您对少数民族题材冷静客观地阐释与再现,我相信绝大多数人都能在这样的唯美与真实中感受到少数民族精神所带来的巨大力量。那么,您是否可以谈谈,身为本土艺术家,选择少数民族这样一个题材来进行创作,是与生俱来的乡土情结,还是您在创作手法上所选取的一种
Sue: People who know something about art history in Guangxi know that Master Shen is an important painter. The main reason I think of them is that you insist on establishing your own creative themes and styles in the ethnic themes of the Miao, Dong, Yi, and Black Yi Zhuang. Through your calm and objective interpretation and reproduction of ethnic minorities, I believe most people can feel the tremendous power brought by the spirit of ethnic minorities in such a beautiful and real life. So, if you can talk about, as a local artist, choose a theme such as ethnic minorities to create, is born native complex, or you choose a creative approach