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近年,随着西方现代艺术思潮的渗透,绘画艺术在人们的眼前展示出一派令人眼花缭乱的局面.这是历史发展的必然现象.西方现代绘画流派纷呈,与此相联系,现代素描艺术创作也日益花样翻新.这同我国读者心目中那种传统的基础教学素描与素描创作形式很不一样,是完全不能以传统的眼光去欣赏的.这种新潮流派的涌入,强烈地影响和动摇了传统的审美意识,从而在观念上带来了转变.人们不得不用新的思维、新的眼光去思考、去反省、去领略、去尝试这种视觉艺术上的新的刺激,以获取最大的快感.各种新材料、新工艺的出现,又为素描创作的形式创新提供了有利的条件.并拓展了素描形式与表现内容的新领域.素描,作为一门独立的绘画艺术形式,并没有局限性,它通过自身固有的生命力表现出完整的内容与完整的风格.我们对素描的研究,如果只限于恪守不移的成见,那就限制了创造
In recent years, with the infiltration of Western modern art trends, the art of painting has shown a dazzling array of people in front of people, which is an inevitable phenomenon of historical development. Which is quite different from the traditional forms of drawing and sketching of basic teaching in the minds of our readers.It can not be appreciated in a traditional way.The influx of this trendy genre has strongly influenced and shaken The traditional aesthetic consciousness leads to the change of concept.People have to use new thinking and new vision to think, to reflect on, to appreciate, to try this new stimulation of visual arts, in order to obtain the greatest pleasure The emergence of various new materials and new techniques has also provided favorable conditions for the formal innovation of sketches and expanded the new fields of sketching and presentation. Sketches, as an independent form of painting and art, have no limitations It shows its complete content and complete style through its inherent vitality.Our research on sketches, if only confined to unswerving stereotypes , That limits creativity