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“主观战斗精神”论是在三四十年代左翼文坛反对主观公式主义与客观主义的斗争中逐渐定型的，但它对创作主体的尊重，以及由此引发的人对自身价值的人文关怀，其思想魅力也就不仅属于三四十年代，而应当属于整个20世纪中国文学思潮史。
The theory of “subjective fighting spirit” is gradually stereotyped in the struggle against subjectivism and objectivism in the left-wing literary circles in 1930s and 1940s. However, its respect for the creative subject and the humanistic concern for its value The charm of thought also belongs not only to the 30s and 40s, but to the entire history of Chinese literary thought in the 20th century.