拟形修辞是中国古典诗词中一种重要的修辞方式,系将原本无影无形的思想情感,当作有形有质的实体事物来描绘。拟形与比喻、比拟、拈连、移就、通感等修辞格都不乏相似之处,然也有显著区别。其构成方式也多样,有动宾、动宾补、并列、主谓、偏正等数种。拟形修辞不仅在古代汉语中运用广泛,在现代汉语中也时有使用,而且其修辞效果新颖奇特,实值得深入研究。 Quasi-figurative rhetoric is one of the most important rhetorical devices in classical Chinese poetry. It depicts the original invisible and invisible thoughts and emotions as physical and tangible entities. There are many resemblances to the figures of figures, such as figurative metaphor, comparison, connection, shift, synaesthesia, and so on, but there are also significant differences. Its composition is also diverse, there are moving objects, moving objects complement, tied, the main predicate, such as partial positive. Quasi-figurative rhetoric is not only widely used in ancient Chinese, but also used in modern Chinese. Its rhetorical effect is novel and unique, which deserves further study.