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李磊的作品常常能够留住人们的脚步。他的作品不像康定斯基那样通过圆形、三角形的几何色彩透视纷繁喧嚣的表象世界,由此渗透出某种哲学思维的深度;也不像巴塞利茨那样用暴力般的彩色和狂乱的线条宣泄内心世界的躁
Li Lei’s work can often keep people’s footsteps. Unlike Kandinsky’s works, his works reveal the depth of philosophical thinking through the circular and triangular geometric perspectives of the noisy world of representation, nor the violent colors and frenzy Line vent inner world of mania