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刘窗的创作因直指中国急速发展的城市中的建筑、个体问题而为人们所知,而最近,他开始转向了根植于更广阔社会基础的思考尝试。《被分割的风景》开始于刘窗对中国70年代至90年代福利房建筑的研究。房屋作为反映制度和历史的模型,也折射出特殊时代框架的变迁。1984年住房改革政策提出后,人们才普遍从集体宿舍搬入单元楼,直到1998年福利房制度停止,中国开始全面的房屋商品化。“防盗窗”恰好流行于单元楼时期,是住户出于对安全与审美的双重需要,在原本的建筑表面人为添加的防护网,其图案的选择
The creation of Liu’s window is known for its direct construction and individual problems in China’s fast-growing cities. Recently, however, he began to turn to his own thinking attempts rooted in broader social foundations. The “Split Landscape” began with Liu’s study of welfare housing construction in China between the 1970s and the 1990s. Housing as a model reflecting the system and history also reflects the changes in the framework of the special era. After the housing reform policy was put forward in 1984, people generally moved into the building from dormitories until the system of welfare housing ceased in 1998 and China started a full-scale commercialization of houses. “Anti-theft window ” happens to be popular in the unit floor period, is the residents out of the dual needs of safety and aesthetic, artificially added in the original building surface protection network, the choice of pattern