上世纪80年代以来,中国艺术家、高校美术教师赴美学习并留美任教的人数日渐增多,他们多数既活跃在北美高校讲坛,又与国内教育和艺术界关系密切。这批艺术家和学者处于东西文化交流和传播的前沿,他们在各自的艺术创作和学术研究中,以艺术实践和理论研讨的形式回应了亲身体验到的异质文化艺术交融和碰撞的问题。去年11月初,在美国新泽西州威廉帕特森大学举办的全美华人美术教授作品展和研讨会,对全美华人美术教授的艺术创作和理论思考做了一次有意义的汇聚和呈现,非常值得关注,青年学者梁绸对此次盛会做了报道和综述。 Since the 1980s, the number of Chinese artists and college art teachers who went to the United States to study in the United States and to teach in the United States has been on the rise. Most of them are active both in the North American university forums and in close ties with the domestic education and art circles. These artists and scholars are at the forefront of cultural exchange and dissemination between East and West. In their respective artistic creation and academic research, they respond to the experience of heterogeneous cultural and artistic integration and collision in the form of artistic practice and theoretical discussion. At the beginning of November last year, the exhibitions and seminars of the National Chinese Professors and Professors at the William Patterson University in New Jersey held a meaningful gathering and presentation of the artistic creations and theoretical thinking of the Chinese national art professors. It is worth noting that, Young scholar Liang silk made a presentation and review of the event.