马致远散曲辑本《东篱乐府》表现的早年渴慕兼济 ,辗转沦入困境而归隐山林后 ,仍心系红尘的抒情主体形象 ,展示马氏在两重人格挤压下的痛苦灵魂。本文并分析这一抒情形象形成的社会文化根源 Ma Zhiyuan Sanqu opera The performance of the early years of this “Tilu Yuefu” performance of thirst and anxiety, was removed to the dilemma and returned to the mountains, the heart is still the main body of the lyrical red dust, showing the painful soul under the squeeze of Ma’s dual personality. This article analyzes the social and cultural roots of this lyrical image