一、诗歌意境与意象的关系王国维在《人间词话》中提出了诗歌创作的最高审美标准,他说:“词以境界为最上。有境界则自成高格,自有名句。”(此所谓“词”其实包含诗在内)这个立论,一直影响到我国今天的诗歌创作。中山大学黄天骥教授说:“评价诗词是否优秀,关键在于它是否具有意境。意境,即便不是惟一的尺度,也应视为主要的尺度。”又说:“不管是全首或是半首或是几句出现了意境,便不失为好诗。”(《诗词写作发凡》,下引同)应该说,黄教授的观点也基本是我国诗坛的 First, the relationship between the poetic mood and image Wang Guowei in the “Human Words” put forward the highest aesthetic standards of poetry creation, he said: “The word to the state as the highest. There is a realm of its own form, their own famous.” (This so-called “word ” actually contains poetry) this argument has always influenced our country’s poetry creation. Professor Huang Tianji of Sun Yat-sen University said: “The key to whether poetry is good or not is whether or not it has artistic conception. Artistic conception, if not the only one, should also be regarded as the main criterion.” “ The first or a few words appeared in the mood, it will be a good poem. ”(“ Poetry Writing Fadifan ”, cited below) It should be said that Professor Huang’s point of view is basically our country’s poetry