我想谈一谈文学语言的问题。我觉得在我们的文学创作上相当普遍地存着一个缺点,就是语言不很好。语言是文学创作的工具,我们应该掌握这个工具。我并不是技术主义者,主张只要语言写好,一切就都不成问题了。要是那么把语言孤立起来看,我们的作品岂不都变成八股文了么?过去的学究们写八股文就是只求文字好,而不大关心别的。我们不是那样。我是说:我们既然搞写作,就必须掌握 I want to talk about literary language. I think one of the most common shortcomings in our literary creation is that the language is not very good. Language is a literary creation tool, we should master the tool. I am not a technicalist, claim that as long as the language is written, everything is not a problem. If language was isolated then, did not our works become stereotyped? The writing of the eight-legged essay by the scholars in the past was that they only wanted good writing but did not care about anything else. We are not like that. I mean: since we are engaged in writing, we must grasp it