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中国“道”的哲学是“横贯三界”的。对中国水墨艺术的理解应该在理解了中国“道”的“三界“哲学基础上。中国水墨艺术产生的中介环节是经过修炼以后的人。理解了“气”,也就理解了石涛的“一画”论。由于中国水墨艺术是属于“中三界”的问题,在“下三界”形成的西方视觉艺术观众对中国水墨艺术的阅读有一定困难,所以其传播范围也是有限的。当西方世界进入到后现代,对人精神性存在的重新发现,对人生命体复杂性的重新认识,对“天人合一”思想的深入了解之后,才能逐步揭开中国水墨艺术的奥妙。
The philosophy of China’s “Taoism” is “Transcending the Three Realms.” The understanding of Chinese ink art should be based on an understanding of the “Three Realms” philosophy of “Tao” in China. Chinese ink art is the intermediate part of the practitioner after cultivation. Understand the “gas”, also understand Shi Tao’s “one painting” theory. As Chinese ink and wash art belongs to the issue of “middle and three circles,” western audiences of visual arts formed in “the lower three circles” have some difficulties in reading Chinese ink and wash art, so their scope of dissemination is limited. After the Western world entered the postmodern era, rediscovered the existence of human spirituality, re-cognized the complexity of human life, and thoroughly understood the idea of “harmony between man and nature”, we can gradually unravel the mystery of Chinese ink art.