在以往的文艺理论中,“直觉”是与文学创造方法最为密切的概念,并可以扩展到“灵感”“神思”等中西方文论概念。就克罗齐所说的“直觉知识可离理性知识而独立”(1)言之,“直觉”的创造性显然是相对于对理性文化的创造而言的,所以区别于否定主义文艺学理性化设计的“穿越现实的方法”。克罗齐更将“直觉”与“表现”统一起来,认为“每一个真直觉 In the past literary theory, ”intuition “ is the most closely related to the method of literature creation, and can be extended to concepts such as ”inspiration “ ”thought of God “ and other concepts of Chinese and Western literary theory. As Croce puts it, ”Intuitional knowledge is independent of knowledge“ (1). In other words, the creativity of ”intuition“ is obviously relative to the creation of rational culture, so it is different from that of negation Literary theory of rational design ”through the realistic method “. Croce even ”intuition“ and ”performance “ unified, that ”every true intuition