南宋末年,许多权贵世家所藏书画作品流入市场。贾似道家藏晋、唐法书近万轴,遭诛后,一部分藏品收回内府,还有一部分流入杭州市场,周密《志雅堂杂钞》和《云烟过眼录》记载曾看到贾氏收藏过的书画作品不下五十轴,这些藏品流落在杭州的各个阶层。有的流落在鉴赏家如周密、乔篑成、郭天锡、鲜于枢、赵孟等手里,有的在不知名的好事者手里,还有的在当时市场上的卖驵手里。如周密《云烟过眼录》卷首就记载赵氏宗亲赵与懃收藏书法一百七十九卷,名画二百一十三卷,而这些作品也多散落民间。再加上此时杭州文人荟萃以及尚好品鉴法书名画等因素,使藏家之间以及藏家与卖驵之间产生了频繁互动, At the end of the Southern Song Dynasty, many paintings and calligraphic works collected by the rich and powerful families flowed into the market. Jia like Taoist possession of Jin, Tang Fa nearly million axis, after being punished, part of the collection back within the House, and some into the Hangzhou market, careful “ No fewer than fifty works of calligraphy and painting, these collections all over Hangzhou in all walks of life. Some fell in the connoisseurship such as careful, Qiao Cheng into, Guo Tianxi, Xianshu Shu, Zhao Meng and other hands, some in the hands of the unkind hands, but also in the market at the time of selling hands. Such as careful ”clouds over the eye," the first volume records Zhao clan Zhao and Qin collection of calligraphy and 79 volumes, two hundred and eighteen paintings, and these works are also more scattered folk. Coupled with the mass of Hangzhou literati at this time as well as the tasting of famous paintings and other factors, the collectors and between collectors and sellers have had frequent interactions.