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苏珊.斯图亚特的《诗歌与感官之命运》是一部诗歌理论兼批评著作,论述肉体感官在诗歌创作和接受中的作用。作者审视了不同历史文化语境下诗歌中的感官表达,表明抒情诗是感官体验和情感的直接表达,通过读者反应实现主体性;史诗因为对感官的漠视和人与感官的异化而正趋于灭绝。这一崭新的诗歌批评视角表现了作者注重感性和肉与灵结合的人本主义艺术观。对称平衡的结构布局、隐喻及神人同形同性意象的采用,使本书具有很强的故事性和深邃的思想内涵。
Susan Stuart’s “The Fate of Poetry and Senses” is a theory and criticism of poetry that discusses the role of the body sensory in the creation and acceptance of poetry. The author examines the sensory expressions in poems in different historical and cultural contexts, indicating that the lyrics are the direct expressions of sensory experiences and emotions, and the subjectivity is realized through the responses of readers. Epic poetry tends to be less sensitive to the senses and alienation of human and senses Extinct. This new perspective of poetic criticism shows the humanistic view of art that the author pays attention to the combination of sensibility and flesh and spirit. Symmetrical and balanced structural layout, metaphor and the use of homosexual images of gods make the book has a strong story and profound ideological content.