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《面临挑战的反思——从音乐新潮论我国现代音乐的异化与反异化》一文(《音乐研究》1987年第1期,以下简称《挑战》),提出了一个“音乐规范与异化”说,其矛头所指,十分清楚;其言辞之激烈,“破”之“深刻”,为人们怵目。与此同时,作者又极力宣扬了一种所谓的“自由的音乐审美创造”论。此论是该文的一个“立”。那末,该文所“立”之论到底是一种什么样的理论呢?
“Reflections on Challenges - On the Alienation and Anti-alienation of Modern Music in China from the Trend of Music” (“Music Studies” No. 1, 1987, hereinafter referred to as the “Challenge”) put forward a theory of “musical norms and alienation” Its spearhead is very clear; its rhetoric is fierce, “broken” the “profound”, for the eyes of the people. At the same time, the author strongly advocates a so-called “free aesthetic creation of music” theory. This theory is a “legislation” of the article. Then what kind of theory is the theory of “standing up” in the essay?