进入新世纪,特别是加入世界贸易组织之后,中国大地上的每一个戏剧从业人员都在思考,如何应对知识经济时代,经济文化一体化、全球化语境下的多元竞争,使被挤压到边缘状态的戏剧艺术,重新介入文化发展的主流。作为深爱黑龙江戏剧的一员,我亦是如此。和历史上曾有民族两次问鼎中原 After entering the new century, especially after joining the World Trade Organization, every practitioner in the drama on the earth in China is thinking about how to deal with the multiple competitions in the era of knowledge-based economy, economic and cultural integration and globalization, The marginal state drama art re-intervened in the mainstream of cultural development. As a member who deeply loves drama in Heilongjiang, I do the same. And historically there have been two ethnic aspirations Central Plains