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看了《中国戏剧》1993年第1期上刘连群同志写的“《大红灯笼高高挂》与京剧”(以下简称《大》)一文,对其中的某些观点难以接受,故不揣冒昧,在此提出,以与之商榷。《大》文在肯定了影片《大红灯笼高高挂》成功地运用了京剧音乐的同时,也对京剧音乐与影片所表现的时代、环境、氛围竟是那么相适和协调表示了不安,并联想起京剧产生于封建社会,其艺术特色必然与封建社会相适应,意在得出京剧艺术必须有所变
After reading the article entitled “Raise the Red Lantern and Peking Opera” (hereinafter referred to as the “Great”) written by Comrade Liu Lianqun in “The Chinese Theater,” 1993, No. 1, some of these views are unacceptable. Therefore, This is proposed, to be discussed with. While affirming the successful use of Peking opera music by the film “Raise the Red Lantern,” the “Great” text also expressed its unease about the timeliness, environment and atmosphere of Peking opera music as well as the harmony and coordination of the atmosphere. Parallel Remembered Peking opera originated in the feudal society, its artistic characteristics must adapt to the feudal society, intended to come to Beijing opera art must be changed