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电影制片厂如何生存下去,目前是日益严峻的问题了。观众就象一个魔方,要弄清他们的好恶确实不太容易。从这几年电影生产情况来看,有一手硬一手软的倾向。重大革命历史题材的创作比较繁荣,这跟多方面条件的保证有很大关系,所谓“领导出面,红头文件,吃着皇粮,公费观看”。相比之下,现实题材的创作则比较薄弱,比较冷清。从每年全国片目来看,现实题材的比例并不少,于敏同志说去年这类题材影片有六十部,但这高比例却没有繁荣起来,与我
How movie studios survive is now an increasingly serious problem. The audience is like a Rubik’s Cube, it is not easy to understand their likes and dislikes. Judging from the movie production situation in recent years, there is a tendency of being soft-handed and soft-handed. The creation of major revolutions and historical themes is more prosperous, which is closely related to the assurance of various conditions. The so-called “leaders come forward and red document, eat imperial grain and public money to watch.” In contrast, the creation of realistic themes is relatively weak and relatively deserted. Judging from the national titles of each year, there are not many real-world themes. Comrade Yu Min said there were 60 such films last year, but this high percentage did not prosper with me