陶渊明独爱菊,爱那“采菊东篱下,悠然见南山”的境界,那是隐逸者赋予菊的内涵;元稹惜菊,惜那“不是花中偏爱菊,此花开尽更无花”;苏轼颂菊,颂那“荷尽已无擎雨盖,菊残犹有傲霜枝”的品格……诗人赏菊、爱菊、怜菊……都是情之所至,思之所归。画菊[宋]郑思肖花开不并百花丛,独立疏篱趣无穷。宁可枝头抱香死,何曾吹落北风中。陆游在《枯菊》中有“空余残蕊抱枝干”的诗句,朱淑贞在《黄花》中有“宁可抱香枝上老,不随黄叶舞秋风”的诗句,都可称得上是好诗,但和郑思 Tao Yuanming alone love chrysanthemum, love that “under the Chrysanthemum, leisurely see the Nanshan ” realm, that is the seclusion of the connotation of chrysanthemum; Yuan Xi Xi Ju, pity that More without flowers ; Su Shi Chung Ju, Chung That “Lotus has done without the rain cover, Ju Kui still proud cream sticks To, think of the place. Painting chrysanthemum [Song] Zheng Shaoxu not open flowers, independent fun of endless fun. Rather than sticks Xiangxiang dead, ever blows the north wind. Lu You in the ”dry chrysanthemum“ in the ”residual residual Rui embrace the branches“ of the poem, Zhu Shuzhen in the ”yellow“ in the ”rather hold fragrant branches on the old, not with the autumn dance of Huangye " verse, can be regarded as Is a good poem, but and Zheng Si