皮村的一切仿佛都处在某种现代主义城市想象的反面:散漫、未经任何规划的建筑高低错落,坑洼不平的道路两旁连成一片的是作坊的门脸,墓地就紧挨在大街的旁边,这里的蓬勃和荒芜是一体两面,似城非城、似村非村的杂交和边缘景象,仿似在挑衅着那些关于现代社会及秩序的规范性论述。很难想象,在这片被都市遗忘和抛弃的边缘地带,竟有一间“博物馆”存在,除非亲自穿过略显拥挤却井井有条的展厅,狭小而总是人 Everything in the village seemed to be the opposite of the imagination of a modernist city: scattered, unplanned buildings scattered on the sides, uneven potholes on both sides of the workshop, the cemetery close to the main street Next to it, the thriving and deserted area here is one with two sides, like the hybrid city and the peripheral scene of the non-city and non-village like villages, which seem to provoke the normative discourse about modern society and order. It is hard to imagine that at the edge of the city forgotten and deserted, there was a “museum,” unless one walked through the slightly crowded yet well-organized exhibition hall, small and always human