核心提示:《八十七神仙图》在宋代流入民间,被宫廷画家李公麟在民间看到,原本被人当废纸,李公麟出价两条金条买,贪婪的老板见状便不肯卖,要五条金条才肯卖,令李公麟要用官威才能成功买下来。到近代,该画又流入民间,被画家徐悲鸿在琉璃厂发现,徐悲鸿几乎又借又赊地筹措金钱把画作买下来,放在家中其后却失窃了,后来这幅画被发现在香港市场出现,徐悲鸿再几乎倾家荡产把画买下来,因此该画可说是徐悲鸿的命根子。他还邀请了张大千、齐白石等在画作上题字。 Core Tip: “Eighty-seven immortal figure” flows into the private sector in the Song Dynasty, the court painter Li Gonglin seen in the private sector, was originally being used as waste paper, Li Gonglin bid two gold bullion bought, greedy boss refused to sell their sight, to five Bullion was willing to sell, so that Li Gonglin to use the official authority to successfully buy it. In the modern era, the painting again went into the private sector. It was discovered by the artist Xu Beihong at the Liulichang factory. Xu Beihong bought it again almost at the expense of borrowing money and left it at home. Afterwards, the painting was found in the Hong Kong market , Xu Beihong almost went bankrupt to buy the painting, so the painting can be said to be the lifeblood of Xu Beihong. He also invited Zhang Daqian and Qi Baishi to inscribe paintings.