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进入文化开放与多元时期的当代中国,美术领域进展和改观甚大,成绩和收获是显著的,这不言自明;但同时,问题、偏差与缺陷也是很显著、很令人困惑的。病症来源可能很多,其间国内最让人感慨和无奈的问题,来自经济利益的牵引支配和社会的浮夸奢糜风气。相对而言,美术“创作”或被自称为“实践”领域活泼得过头一点甚至轻薄一点,或许都有其合理性,但说到美术的学术研究领域,同样性质的问题就变得特别令人不安。诚如大家所公认的,美术研究尤其是美术学科的基础性研究,在很大程度上属于社会人文科学的
It is self-evident that contemporary China, which has entered the stage of cultural opening and pluralistic periods, has made great progress and made great improvements in the field of fine arts. The achievements and gains are obvious. At the same time, problems, deviations and defects are also very significant and confusing. The source of the illness may be many, during which the most emotionally questionable and frustrating problems come from the traction and control of the economic interests and the exaggerated rhetoric of the community. Relatively speaking, art “creation ” or be claimed as “practice ” field lively or slightly lighter, may have its rationality, but when it comes to the academic field of art, the same nature of the problem becomes Particularly disturbing. As we all know, art research, especially the basic research of arts disciplines, to a large extent belong to the social and human sciences