钢琴音乐创作中的民族化 ,一直是中国作曲家探讨的重要理论问题。这一问题既涉及宏观的审美风格评价 ,也涉及具体的技术操作手法。作曲家们在钢琴创作中为突出作品的民族化而利用的中国传统音乐的诸种因素 ,已有许多理论探讨 ,而这些因素中传统音阶的利用问题 ,尚乏善陈 ,本篇 Nationalization in piano music creation has always been an important theoretical issue discussed by Chinese composers. This issue involves not only the macro-aesthetic evaluation but also the specific techniques of operation. There are many theoretical discussions about the various factors that the composers use to make use of the traditional Chinese music in the piano creation to highlight the nationalization of the work. However, the use of traditional scales in these factors is still poorly understood.