人们都认为资产阶级自由化思潮的泛滥,文艺界是个重灾区,文学、音乐、戏剧、电视……无不受其害。美术也不例外,不仅在这一时期出现了很多模仿西欧现代派颓废美术的“倒爷艺术”,而且也出现了一些受资产阶级自由化影响的美术理论文章。一方面是为“倒爷艺术”之类作鼓吹,为它们的问世和繁衍铺平道路,作理论根据;同时也是对毛泽东文艺思想与革命美术的否定和挑战。 People all think that the trend of bourgeois liberalization is flooding, and literary and art circles are the hardest hit areas. Literature, music, theater, television ... all suffer. Fine Arts is no exception. Not only did there appear many “inverted-Lord art” that imitated the decadent western modernist art in this period, but also some art theoretical articles influenced by bourgeois liberalization. On the one hand, it advocates for the art of “inverted God”, paves the way for their advent and multiplication, and serves as theoretical basis; meanwhile, it also denies and challenges Mao Zedong’s literary and art thoughts and revolutionary art.