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应该说,戏剧价值判断跟其它美学价值判断一样,属于一个深广博大的观念系统,尽管对这样一个观念系统尚缺乏足够的研究和清晰的描述,我们仍然可以从以下两个大方面琢磨它的基本价值结构:一是戏剧创作家对他所要把握和处理的一切戏剧材料的价值分析和价值判断,二是戏剧研究家对各种戏剧现象的价值判断和价值阐释。要想在一篇论文中完整地探讨这个庞杂的价值判断体系显然是不现实的,我的选题局限在点示出这一体系中的情绪作用。
It should be said that the judgment of the value of theatrical works, like other aesthetic value judgments, belongs to a profound and broad concept system. Although there is still not enough research and a clear description of such a system of ideas, we can still consider its basic aspects from the following two aspects The value structure: The first is the value analysis and value judgment of the theater creator for all the drama materials he wants to grasp and deal with. The second is the value judgment and value interpretation of the drama phenomenon by the theater researchers. To completely investigate this complex system of value judgments in a dissertation is obviously unrealistic and my topic is limited to highlighting the emotional role of the system.